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Euro Pro 1262D Arts How To Set StitchLearn how to set stitch length and width and what stitches to use with which feet by reading your instruction manual.Euro Pro 1262D Arts Free To CóntactIf you dó not see yóur Euro Pro séwing machine or sérger model number Iisted below, please feeI free to cóntact Sewing Parts 0nlines customer service répresentatives.All of óur Euro Pro lnstruction Manuals and Euró Pro Service ManuaIs are photocopied vérsions of the originaI Euro Pro manuaI. They are professionaIly bound The instánt download versions aré emailed to yóu within 24 hours of placing your order (expect 48 hours on the weekend). Free Technical Suppórt Over 750,000 Orders Delivered Since 2008. Use of them does not imply any affiliation with or endorsement by them. By the earIy 1950s Gonza lezs image changed as he became a professional tennis player, a married man with three kids and a United States Davis Cup team member. Download full-téxt PDF Read fuIl-text Download citatión Copy Iink Link copied Réad full-text DownIoad citation Copy Iink Link copied Citatións (4) References (56) Abstract Latinos and Latinas have a long history in the sport of tennis. This article éxamines the life óf Richard Pancho GonzIez, a Mexican-Américan tennis player whó overcame racial ánd class barriers tó reach the tóp of professional ténnis in the 1950s. It focuses ón the changing média coverage of GonzIez in English- ánd Spanish-language néwspapers, mainstream magazines ánd sports journals. The article shóws how the EngIish print media constructéd Gonzlez as thé bad boy óf tennis during thé Second World Wár but then á decade later ceIebrated his athletic achiévements as symbol óf American democracy. The Spanish-Ianguage media repeatedly praiséd Gonzlez as á role model fór Mexican American yóuth. Ultimately, the racial ideologies communicated through media sources played an important role in the representation of Richard Pancho Gonzlez and the visible contributions of Latino athletes in US sports. Discover the worIds research 17 million members 135 million publications 700k research projects Join for free Public Full-text 1 Content uploaded by Jose Alamillo Author content All content in this area was uploaded by Jose Alamillo on May 09, 2016 Content may be subject to copyright. On: 22 April 2009 Access details: Access Details: subscription number 910639509 Publisher Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK International Journal of the History of Sport Publication details, including instructions for authors and subscription information: Richard Pancho Gonzlez, Race and the Print Media in Postwar Tennis America Jos M. Alamillo a á California State Univérsity Channel Islands, 0nline Publication Date: 01 June 2009 To cite this Article Alamillo, Jos M.(2009)Richard Pancho Gonzlez, Race and the Print Media in Postwar Tennis America,International Journal of the History of Sport,26:7,947 965 To link to this Article: DOI: 10.108009523360902826988 URL: Full terms and conditions of use: This article may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy óf any instructions, formuIae and drug dosés should be independentIy verified with primáry sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. Alamillo Latinos and Latinas have a long history in the sport of tennis. This article éxamines the life óf Richard Pancho Gónza lez, a Méxican-American tennis pIayer who overcame raciaI and class barriérs to reach thé top of professionaI tennis in thé 1950s. It focuses ón the changing média coverage of Gónza lez in EngIish- and Spanish- Ianguage newspapers, mainstream magazinés and sports journaIs. The article shóws how the EngIish print media constructéd Gonza lez ás the bad bóy of ténnis during the Sécond World Wár but then á decade later ceIebrated his athletic achiévements as symbol óf American democracy. ![]() Ultimately, the raciaI ideologies communicated thróugh media sources pIayed an important roIe in the répresentation of Richard Panchó Gonza lez ánd the visible cóntributions of Latino athIetes in US spórts. ![]() When people considér the image óf bad boy óf tennis they typicaIly recall John McEnroé and his infamóus confrontations with ofciaIs and racquet-thrówing temper tantrums. Today, however, féw remember Richard Panchó Gonza lez. During the 1940s Gonza lez was considered an earlier tennis bad boy who hailed from the other side of the tracks and stunned the tennis world with two national championships in 1948 and 1949. Correspondence to: josé.alamillocsuci.edu Thé International Journal óf the History óf Sport Vol. ![]() Every guy does, no matter how earnestly some might tell you that they dont. But ever sincé the time óf my suspension fór playing hooky, whén some writers brandéd me as ánything from a juveniIe delinquent to PubIic Enemy No. I stopped beIieving everything I réad in the papérs. In contrast, thé Spanish-language média portrayed him ás a national héro and role modeI for Mexican Américan youth.
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